Daftar Isi
Dalam dunia perkuliahan, menulis skripsi adalah salah satu tugas yang harus dilakukan mahasiswa. Bagi kamu yang sedang menempuh studi di bidang sastra Inggris dan sedang mencari inspirasi untuk judul skripsi mu, artikel ini hadir untuk kamu!
Berikut ini beberapa contoh judul skripsi sastra Inggris yang bisa menjadi referensimu:
1. “Penafsiran Postkolonial dalam Novel The God of Small Things karya Arundhati Roy”
Dalam judul skripsi ini, kamu dapat meneliti tentang bagaimana penulis menggunakan latar belakang sejarah kolonialisme dan memperlihatkan implikasinya dalam cerita yang dituangkan dalam The God of Small Things. Menggali tema-tema postkolonialisme seperti ketidakadilan sosial, perbedaan kasta, dan perlawanan terhadap sistem kolonial.
2. “Representasi Kekuatan Perempuan dalam Novel Jane Eyre karya Charlotte Brontë”
Judul skripsi ini memungkinkan kamu untuk menganalisis bagaimana penulis membangun karakter perempuan yang kuat dan independen, terutama tokoh utama Jane Eyre. Kamu dapat menjelajahi peran gender, ketidakadilan, dan tantangan yang dihadapi perempuan pada saat itu.
3. “Penggunaan Metafiksi dalam Cerpen-cerpen Haruki Murakami dalam Kumpulan Cerita Men Without Women”
Skripsi dengan judul ini dapat membahas penggunaan metafiksi dalam karya-karya Haruki Murakami dan dampaknya terhadap pembaca. Kamu dapat meneliti teknik penulisan Murakami, penggunaan elemen magis-realistik, dan bagaimana karya-karyanya mempengaruhi pembaca.
4. “Dampak Budaya Populer Amerika terhadap Puisi Slam di Indonesia”
Judul skripsi ini memungkinkan kamu untuk meneliti tentang pengaruh budaya populer Amerika, seperti film, musik, dan seni pop, terhadap perkembangan puisi slam di Indonesia. Menjelajahi bagaimana unsur-unsur budaya pop memengaruhi gaya penulisan dan pesan yang disampaikan dalam puisi slam.
5. “Analisis Mitos Klasik dalam Trilogi Percy Jackson karya Rick Riordan”
Pada judul skripsi ini, kamu bisa melakukan analisis terhadap penggunaan mitos klasik Yunani dalam seri novel Percy Jackson. Meneliti bagaimana mitos-mitos itu diperkenalkan dan diperbaharui dalam konteks modern, serta apa yang membuat kakatua biru sejati menjadi pahlawan.
Demikianlah beberapa contoh judul skripsi sastra Inggris yang bisa menjadi referensi dan menginspirasimu. Tentunya, kamu juga bisa menyesuaikan judul skripsi ini dengan minat dan bidang studi sastra yang kamu tekuni. Semoga berhasil dalam penelitian dan penulisan skripsimu!
Contoh Judul Skripsi Sastra Inggris yang Menarik
Berikut ini adalah dua tips contoh judul skripsi sastra inggris yang bisa kamu pertimbangkan untuk penelitianmu.
Tips 1: Analisis Intralingual Pada Cerpen Karya James Joyce
James Joyce merupakan salah satu penulis terkenal dalam sastra Inggris abad ke-20. Dalam skripsimu, kamu bisa menganalisis cerpen-cerpen karyanya dengan menggunakan pendekatan intralingual. Pendekatan ini akan membantu kamu dalam memahami arti, gaya bahasa, dan struktur narasi dalam cerpen-cerpen Joyce secara lebih mendalam. Dengan melakukan analisis intralingual ini, kamu dapat mengeksplorasi kekhasan sastra Joyce dan mendiskusikan pengaruhnya terhadap karya sastra Inggris modern.
Tips 2: Hubungan Antarbudaya Dalam Novel Karya Zadie Smith
Zadie Smith adalah salah satu penulis kontemporer yang sering mengangkat tema tentang hubungan antarbudaya dalam karyanya. Dalam skripsimu, kamu bisa menganalisis salah satu novel Smith, seperti “White Teeth” atau “On Beauty,” untuk memperjelas bagaimana penulis menggambarkan interaksi dan konflik antara berbagai budaya. Dalam analisismu, kamu dapat membahas perubahan identitas karakter-karakter utama, pengaruh keberagaman budaya terhadap pengembangan plot, dan juga pandangan Smith tentang pluralisme dalam masyarakat modern. Pendekatan ini akan memungkinkanmu untuk menganalisis sastra kontemporer dengan latar belakang budaya yang lebih luas.
Judul Skripsi Sastra Inggris
- Exploring the Mythical Creatures in J.K. Rowling’s Harry Potter Series
- Gender Identity and Representation in Virginia Woolf’s To the Lighthouse
- Postcolonialism in Chinua Achebe’s Things Fall Apart
- A Comparative Analysis of Character Development in Charles Dickens’ Novels
- The Role of Nature in William Wordsworth’s Romantic Poetry
- Cultural Identity in Amy Tan’s The Joy Luck Club
- The Portrayal of Madness in Edgar Allan Poe’s Short Stories
- Symbolism in F. Scott Fitzgerald’s The Great Gatsby
- Colonialism and Resistance in Joseph Conrad’s Heart of Darkness
- Psychological Exploration in Daphne du Maurier’s Rebecca
- The Theme of Alienation in Franz Kafka’s Metamorphosis
- Mythology and Folklore in Neil Gaiman’s American Gods
- Postmodernism in Salman Rushdie’s Midnight’s Children
- Exploring the Concept of Time in H.G. Wells’ The Time Machine
- Social Commentary in George Orwell’s Animal Farm
- The Role of the Femme Fatale in Classic Film Noir
- Gothic Elements in Mary Shelley’s Frankenstein
- Existentialism in Albert Camus’ The Stranger
- The Influence of Shakespearean Tragedy in Modern Literature
- Magical Realism in Gabriel Garcia Marquez’s One Hundred Years of Solitude
- Narrative Techniques in Kazuo Ishiguro’s Never Let Me Go
- The Theme of Identity in Toni Morrison’s Beloved
- Satire and Social Critique in Jonathan Swift’s Gulliver’s Travels
- The Hero’s Journey in J.R.R. Tolkien’s The Lord of the Rings
- Feminism in Charlotte Perkins Gilman’s The Yellow Wallpaper
- Symbolism and Allegory in George Orwell’s 1984
- Mythical Elements in C.S. Lewis’ The Chronicles of Narnia
- The Representation of War in Ernest Hemingway’s A Farewell to Arms
- The Bildungsroman in J.D. Salinger’s The Catcher in the Rye
- Colonialism and Cultural Clash in E.M. Forster’s A Passage to India
- The Role of the Antihero in Literature
- Existential Themes in Samuel Beckett’s Waiting for Godot
- The Gothic Tradition in Edgar Allan Poe’s Poetry
- Exploring the American Dream in F. Scott Fitzgerald’s Novels
- Gender Roles and Expectations in Jane Austen’s Pride and Prejudice
- The Representation of Race in Harper Lee’s To Kill a Mockingbird
- Surrealism in Franz Kafka’s The Trial
- The Influence of Greek Tragedy on Modern Drama
- Identity and Displacement in Jhumpa Lahiri’s The Namesake
- Postcolonial Literature and Identity in Salman Rushdie’s Shame
- The Theme of Death in Emily Dickinson’s Poetry
- The Myth of the Hero in Homer’s The Odyssey
- Allegory and Symbolism in Nathaniel Hawthorne’s The Scarlet Letter
- The Role of Nature in Jack London’s The Call of the Wild
- Satirical Elements in George Orwell’s Animal Farm
- Existential Themes in Jean-Paul Sartre’s Nausea
- The Representation of Madness in Sylvia Plath’s The Bell Jar
- The Theme of Love in Shakespearean Sonnets
- Social Critique in Aldous Huxley’s Brave New World
- The Influence of Classic Literature on Contemporary Young Adult Fiction
- Exploring the Mythical Creatures in J.K. Rowling’s Harry Potter Series
- Gender Identity and Representation in Virginia Woolf’s To the Lighthouse
- Postcolonialism in Chinua Achebe’s Things Fall Apart
- A Comparative Analysis of Character Development in Charles Dickens’ Novels
- The Role of Nature in William Wordsworth’s Romantic Poetry
- Cultural Identity in Amy Tan’s The Joy Luck Club
- The Portrayal of Madness in Edgar Allan Poe’s Short Stories
- Symbolism in F. Scott Fitzgerald’s The Great Gatsby
- Colonialism and Resistance in Joseph Conrad’s Heart of Darkness
- Psychological Exploration in Daphne du Maurier’s Rebecca
- The Theme of Alienation in Franz Kafka’s Metamorphosis
- Mythology and Folklore in Neil Gaiman’s American Gods
- Postmodernism in Salman Rushdie’s Midnight’s Children
- Exploring the Concept of Time in H.G. Wells’ The Time Machine
- Social Commentary in George Orwell’s Animal Farm
- The Role of the Femme Fatale in Classic Film Noir
- Gothic Elements in Mary Shelley’s Frankenstein
- Existentialism in Albert Camus’ The Stranger
- The Influence of Shakespearean Tragedy in Modern Literature
- Magical Realism in Gabriel Garcia Marquez’s One Hundred Years of Solitude
- Narrative Techniques in Kazuo Ishiguro’s Never Let Me Go
- The Theme of Identity in Toni Morrison’s Beloved
- Satire and Social Critique in Jonathan Swift’s Gulliver’s Travels
- The Hero’s Journey in J.R.R. Tolkien’s The Lord of the Rings
- Feminism in Charlotte Perkins Gilman’s The Yellow Wallpaper
- Symbolism and Allegory in George Orwell’s 1984
- Mythical Elements in C.S. Lewis’ The Chronicles of Narnia
- The Representation of War in Ernest Hemingway’s A Farewell to Arms
- The Bildungsroman in J.D. Salinger’s The Catcher in the Rye
- Colonialism and Cultural Clash in E.M. Forster’s A Passage to India
- The Role of the Antihero in Literature
- Existential Themes in Samuel Beckett’s Waiting for Godot
- The Gothic Tradition in Edgar Allan Poe’s Poetry
- Exploring the American Dream in F. Scott Fitzgerald’s Novels
- Gender Roles and Expectations in Jane Austen’s Pride and Prejudice
- The Representation of Race in Harper Lee’s To Kill a Mockingbird
- Surrealism in Franz Kafka’s The Trial
- The Influence of Greek Tragedy on Modern Drama
- Identity and Displacement in Jhumpa Lahiri’s The Namesake
- Postcolonial Literature and Identity in Salman Rushdie’s Shame
- The Theme of Death in Emily Dickinson’s Poetry
- The Myth of the Hero in Homer’s The Odyssey
- Allegory and Symbolism in Nathaniel Hawthorne’s The Scarlet Letter
- The Role of Nature in Jack London’s The Call of the Wild
- Satirical Elements in George Orwell’s Animal Farm
- Existential Themes in Jean-Paul Sartre’s Nausea
- The Representation of Madness in Sylvia Plath’s The Bell Jar
- The Theme of Love in Shakespearean Sonnets
- Social Critique in Aldous Huxley’s Brave New World
- The Influence of Classic Literature on Contemporary Young Adult Fiction
- The Role of Mythology in J.R.R. Tolkien’s The Silmarillion
- Symbolism and Allegory in Franz Kafka’s The Castle
- Feminist Critique of Margaret Atwood’s The Handmaid’s Tale
- The Influence of Romanticism on Emily Brontë’s Wuthering Heights
- Postcolonial Identity in Salman Rushdie’s The Satanic Verses
- The Representation of War in Kurt Vonnegut’s Slaughterhouse-Five
- The Bildungsroman in Charles Dickens’ Great Expectations
- The Theme of Isolation in Mary Shelley’s Frankenstein
- Religious Themes in Dante Alighieri’s Divine Comedy
- Gender Roles in William Shakespeare’s Othello
- Gothic Elements in Shirley Jackson’s The Haunting of Hill House
- The Representation of Mental Illness in Ken Kesey’s One Flew Over the Cuckoo’s Nest
- The Theme of Betrayal in F. Scott Fitzgerald’s The Beautiful and Damned
- Existentialism in Albert Camus’ The Plague
- The Influence of Mythology in Rick Riordan’s Percy Jackson series
- Satire in Mark Twain’s The Adventures of Huckleberry Finn
- The Role of Nature in Robert Frost’s Poetry
- Postcolonial Identity in Chinua Achebe’s Anthills of the Savannah
- The Representation of Childhood in J.M. Barrie’s Peter Pan
- Symbolism and Allegory in George Orwell’s Animal Farm
- The Theme of Freedom in Toni Morrison’s Song of Solomon
- Magical Realism in Laura Esquivel’s Like Water for Chocolate
- The Heroine’s Journey in Literature
- The Influence of Norse Mythology on Modern Fantasy
- Colonialism and Resistance in Ngũgĩ wa Thiong’o’s Petals of Blood
- The Role of the Trickster Figure in Native American Literature
- The Representation of Dreams in Edgar Allan Poe’s Poetry
- Existential Themes in Jean-Paul Sartre’s The Stranger
- The Gothic Tradition in Charlotte Brontë’s Jane Eyre
- Postmodernism in Don DeLillo’s White Noise
- The Theme of Revenge in William Shakespeare’s Hamlet
- Gender Identity in Jeffrey Eugenides’ Middlesex
- Satirical Elements in Jonathan Swift’s A Modest Proposal
- The Influence of Greek Mythology on Contemporary Literature
- Cultural Identity in Chimamanda Ngozi Adichie’s Half of a Yellow Sun
- The Representation of Time in Virginia Woolf’s Mrs. Dalloway
- Symbolism and Allegory in Hermann Hesse’s Siddhartha
- The Theme of Immigration in Jhumpa Lahiri’s The Interpreter of Maladies
- The Role of the Antiheroine in Literature
- Postcolonial Literature and Identity in Arundhati Roy’s The God of Small Things
- The Role of Mythology in J.R.R. Tolkien’s The Silmarillion
- Symbolism and Allegory in Franz Kafka’s The Castle
- Feminist Critique of Margaret Atwood’s The Handmaid’s Tale
- The Influence of Romanticism on Emily Brontë’s Wuthering Heights
- Postcolonial Identity in Salman Rushdie’s The Satanic Verses
- The Representation of War in Kurt Vonnegut’s Slaughterhouse-Five
- The Bildungsroman in Charles Dickens’ Great Expectations
- The Theme of Isolation in Mary Shelley’s Frankenstein
- Religious Themes in Dante Alighieri’s Divine Comedy
- Gender Roles in William Shakespeare’s Othello
- Gothic Elements in Shirley Jackson’s The Haunting of Hill House
- The Representation of Mental Illness in Ken Kesey’s One Flew Over the Cuckoo’s Nest
- The Theme of Betrayal in F. Scott Fitzgerald’s The Beautiful and Damned
- Existentialism in Albert Camus’ The Plague
- The Influence of Mythology in Rick Riordan’s Percy Jackson series
- Satire in Mark Twain’s The Adventures of Huckleberry Finn
- The Role of Nature in Robert Frost’s Poetry
- Postcolonial Identity in Chinua Achebe’s Anthills of the Savannah
- The Representation of Childhood in J.M. Barrie’s Peter Pan
- Symbolism and Allegory in George Orwell’s Animal Farm
- The Theme of Freedom in Toni Morrison’s Song of Solomon
- Magical Realism in Laura Esquivel’s Like Water for Chocolate
- The Heroine’s Journey in Literature
- The Influence of Norse Mythology on Modern Fantasy
- Colonialism and Resistance in Ngũgĩ wa Thiong’o’s Petals of Blood
- The Role of the Trickster Figure in Native American Literature
- The Representation of Dreams in Edgar Allan Poe’s Poetry
- Existential Themes in Jean-Paul Sartre’s The Stranger
- The Gothic Tradition in Charlotte Brontë’s Jane Eyre
- Postmodernism in Don DeLillo’s White Noise
- The Theme of Revenge in William Shakespeare’s Hamlet
- Gender Identity in Jeffrey Eugenides’ Middlesex
- Satirical Elements in Jonathan Swift’s A Modest Proposal
- The Influence of Greek Mythology on Contemporary Literature
- Cultural Identity in Chimamanda Ngozi Adichie’s Half of a Yellow Sun
- The Representation of Time in Virginia Woolf’s Mrs. Dalloway
- Symbolism and Allegory in Hermann Hesse’s Siddhartha
- The Theme of Immigration in Jhumpa Lahiri’s The Interpreter of Maladies
- The Role of the Antiheroine in Literature
- Postcolonial Literature and Identity in Arundhati Roy’s The God of Small Things
- Gender Representation in Margaret Atwood’s The Handmaid’s Tale
- Symbolism of the Green Light in F. Scott Fitzgerald’s The Great Gatsby
- Cultural Identity in Jhumpa Lahiri’s The Namesake
- Postcolonial Themes in Chinua Achebe’s Things Fall Apart
- Magical Realism in Gabriel Garcia Marquez’s One Hundred Years of Solitude
- Linguistic Analysis of Ernest Hemingway’s Writing Style
- Colonialism and Resistance in Ngũgĩ wa Thiong’o’s Petals of Blood
- Trauma and Memory in Toni Morrison’s Beloved
- Environmentalism in Barbara Kingsolver’s Prodigal Summer
- Existentialism in Albert Camus’ The Stranger
- Allegorical Elements in George Orwell’s Animal Farm
- Psychoanalysis of the Protagonist in J.D. Salinger’s The Catcher in the Rye
- Magical Realism in Salman Rushdie’s Midnight’s Children
- Love and Alienation in Franz Kafka’s Metamorphosis
- Postmodern Narrative Techniques in David Foster Wallace’s Infinite Jest
- Colonial Discourse in Joseph Conrad’s Heart of Darkness
- The Representation of War in Kurt Vonnegut’s Slaughterhouse-Five
- Mythology and Symbolism in Neil Gaiman’s American Gods
- Dystopian Elements in Aldous Huxley’s Brave New World
- Gothic Themes in Mary Shelley’s Frankenstein
- The Role of Fate in Sophocles’ Oedipus Rex
- Identity and Belonging in Zadie Smith’s White Teeth
- Feminism in Virginia Woolf’s To the Lighthouse
- The Absurd in Samuel Beckett’s Waiting for Godot
- Cultural Clash in Amy Tan’s The Joy Luck Club
- Existential Themes in Jean-Paul Sartre’s Nausea
- Allegory and Symbolism in William Golding’s Lord of the Flies
- Postcolonial Discourse in Salman Rushdie’s Shame
- Identity Crisis in Ralph Ellison’s Invisible Man
- Colonialism and Power Dynamics in E.M. Forster’s A Passage to India
- Metaphors of Light and Dark in Joseph Conrad’s Lord Jim
- Historical Realism in Tolstoy’s War and Peace
- Symbolism of the River in Mark Twain’s Adventures of Huckleberry Finn
- Existential Themes in Franz Kafka’s The Trial
- The Myth of the American Dream in John Steinbeck’s The Grapes of Wrath
- Allegorical Elements in George Orwell’s 1984
- Cultural Hybridity in Jhumpa Lahiri’s Interpreter of Maladies
- Psychoanalytic Analysis of Charlotte Bronte’s Jane Eyre
- Environmentalism in Cormac McCarthy’s The Road
- Postcolonial Identity in Chimamanda Ngozi Adichie’s Half of a Yellow Sun
- Magical Realism in Laura Esquivel’s Like Water for Chocolate
- The Sublime in Edgar Allan Poe’s Poetry
- Colonialism and Oppression in Chinua Achebe’s Arrow of God
- Existential Themes in Albert Camus’ The Plague
- Gender Roles in Henrik Ibsen’s A Doll’s House
- Symbolism of the Conch Shell in Lord of the Flies
- Postmodern Narrative in Italo Calvino’s If on a winter’s night a traveler
- Identity and Alienation in Fyodor Dostoevsky’s Notes from Underground
- Allegory and Symbolism in Nathaniel Hawthorne’s The Scarlet Letter
- The Grotesque in Flannery O’Connor’s Short Stories
- Cultural Identity in Junot Diaz’s The Brief Wondrous Life of Oscar Wao
- Postcolonial Discourse in V.S. Naipaul’s A Bend in the River
- The Uncanny in Edgar Allan Poe’s Short Stories
- Existential Themes in Søren Kierkegaard’s Works
- Symbolism of the Road in Jack Kerouac’s On the Road
- Colonialism and Subversion in Salman Rushdie’s The Satanic Verses
- Psychoanalysis of the Protagonist in Sylvia Plath’s The Bell Jar
- Mythology and Religion in Joseph Campbell’s Hero’s Journey
- Allegorical Elements in William Faulkner’s The Sound and the Fury
- Postmodernism in Don DeLillo’s White Noise
- Identity and Otherness in Toni Morrison’s Song of Solomon
- Magical Realism in Isabel Allende’s The House of the Spirits
- Absurdity in Eugene Ionesco’s Rhinoceros
- Colonialism and Cultural Hybridity in Derek Walcott’s Omeros
- Symbolism of the Garden in Voltaire’s Candide
- Existential Themes in Jean Genet’s The Thief’s Journal
- Allegory and Symbolism in George Orwell’s Animal Farm
- Cultural Identity in Jamaica Kincaid’s Annie John
- Postcolonial Discourse in Derek Walcott’s Dream on Monkey Mountain
- Psychoanalysis of the Characters in Henry James’ The Turn of the Screw
- Mythology and Symbolism in T.S. Eliot’s The Waste Land
- The Uncanny in Franz Kafka’s Short Stories
- Symbolism of the River in Joseph Conrad’s The Secret Sharer
- Existentialism in Simone de Beauvoir’s The Second Sex
- Allegorical Elements in William Golding’s Pincher Martin
- Postcolonial Identity in Rohinton Mistry’s A Fine Balance
- Magical Realism in Ben Okri’s The Famished Road
- Colonialism and Resistance in Aimé Césaire’s A Tempest
- Cultural Identity in Arundhati Roy’s The God of Small Things
- Symbolism of the Lighthouse in Virginia Woolf’s To the Lighthouse
- Absurdity in Albert Camus’ The Myth of Sisyphus
- Existential Themes in Sartre’s No Exit
- Allegory and Symbolism in Herman Melville’s Moby-Dick
- Postcolonial Discourse in Chinua Achebe’s No Longer at Ease
- Psychoanalytic Analysis of Daphne du Maurier’s Rebecca
- Mythology and Symbolism in W.B. Yeats’ Poetry
- Colonialism and Power Dynamics in E.M. Forster’s Howard’s End
- Symbolism of the Conch Shell in Lord of the Flies
- Postmodern Narrative in Julio Cortázar’s Hopscotch
- Identity and Alienation in Franz Kafka’s The Castle
- Allegorical Elements in George Orwell’s Animal Farm
- Cultural Hybridity in Salman Rushdie’s Midnight’s Children
- Psychoanalysis of the Protagonist in J.M. Coetzee’s Disgrace
- Environmentalism in Barbara Kingsolver’s Flight Behavior
- Existential Themes in Jean-Paul Sartre’s The Age of Reason
- Symbolism of the Forest in Nathaniel Hawthorne’s Young Goodman Brown
- Magical Realism in Laura Esquivel’s The Law of Love
- The Grotesque in Flannery O’Connor’s Wise Blood
- Allegory and Symbolism in Fyodor Dostoevsky’s Crime and Punishment
- Gender Representation in Margaret Atwood’s The Handmaid’s Tale
- Symbolism of the Green Light in F. Scott Fitzgerald’s The Great Gatsby
- Cultural Identity in Jhumpa Lahiri’s The Namesake
- Postcolonial Themes in Chinua Achebe’s Things Fall Apart
- Magical Realism in Gabriel Garcia Marquez’s One Hundred Years of Solitude
- Linguistic Analysis of Ernest Hemingway’s Writing Style
- Colonialism and Resistance in Ngũgĩ wa Thiong’o’s Petals of Blood
- Trauma and Memory in Toni Morrison’s Beloved
- Environmentalism in Barbara Kingsolver’s Prodigal Summer
- Existentialism in Albert Camus’ The Stranger
- Allegorical Elements in George Orwell’s Animal Farm
- Psychoanalysis of the Protagonist in J.D. Salinger’s The Catcher in the Rye
- Magical Realism in Salman Rushdie’s Midnight’s Children
- Love and Alienation in Franz Kafka’s Metamorphosis
- Postmodern Narrative Techniques in David Foster Wallace’s Infinite Jest
- Colonial Discourse in Joseph Conrad’s Heart of Darkness
- The Representation of War in Kurt Vonnegut’s Slaughterhouse-Five
- Mythology and Symbolism in Neil Gaiman’s American Gods
- Dystopian Elements in Aldous Huxley’s Brave New World
- Gothic Themes in Mary Shelley’s Frankenstein
- The Role of Fate in Sophocles’ Oedipus Rex
- Identity and Belonging in Zadie Smith’s White Teeth
- Feminism in Virginia Woolf’s To the Lighthouse
- The Absurd in Samuel Beckett’s Waiting for Godot
- Cultural Clash in Amy Tan’s The Joy Luck Club
- Existential Themes in Jean-Paul Sartre’s Nausea
- Allegory and Symbolism in William Golding’s Lord of the Flies
- Postcolonial Discourse in Salman Rushdie’s Shame
- Identity Crisis in Ralph Ellison’s Invisible Man
- Colonialism and Power Dynamics in E.M. Forster’s A Passage to India
- Metaphors of Light and Dark in Joseph Conrad’s Lord Jim
- Historical Realism in Tolstoy’s War and Peace
- Symbolism of the River in Mark Twain’s Adventures of Huckleberry Finn
- Existential Themes in Franz Kafka’s The Trial
- The Myth of the American Dream in John Steinbeck’s The Grapes of Wrath
- Allegorical Elements in George Orwell’s 1984
- Cultural Hybridity in Jhumpa Lahiri’s Interpreter of Maladies
- Psychoanalytic Analysis of Charlotte Bronte’s Jane Eyre
- Environmentalism in Cormac McCarthy’s The Road
- Postcolonial Identity in Chimamanda Ngozi Adichie’s Half of a Yellow Sun
- Magical Realism in Laura Esquivel’s Like Water for Chocolate
- The Sublime in Edgar Allan Poe’s Poetry
- Colonialism and Oppression in Chinua Achebe’s Arrow of God
- Existential Themes in Albert Camus’ The Plague
- Gender Roles in Henrik Ibsen’s A Doll’s House
- Symbolism of the Conch Shell in Lord of the Flies
- Postmodern Narrative in Italo Calvino’s If on a winter’s night a traveler
- Identity and Alienation in Fyodor Dostoevsky’s Notes from Underground
- Allegory and Symbolism in Nathaniel Hawthorne’s The Scarlet Letter
- The Grotesque in Flannery O’Connor’s Short Stories
- Cultural Identity in Junot Diaz’s The Brief Wondrous Life of Oscar Wao
- Postcolonial Discourse in V.S. Naipaul’s A Bend in the River
- The Uncanny in Edgar Allan Poe’s Short Stories
- Existential Themes in Søren Kierkegaard’s Works
- Symbolism of the Road in Jack Kerouac’s On the Road
- Colonialism and Subversion in Salman Rushdie’s The Satanic Verses
- Psychoanalysis of the Protagonist in Sylvia Plath’s The Bell Jar
- Mythology and Religion in Joseph Campbell’s Hero’s Journey
- Allegorical Elements in William Faulkner’s The Sound and the Fury
- Postmodernism in Don DeLillo’s White Noise
- Identity and Otherness in Toni Morrison’s Song of Solomon
- Magical Realism in Isabel Allende’s The House of the Spirits
- Absurdity in Eugene Ionesco’s Rhinoceros
- Colonialism and Cultural Hybridity in Derek Walcott’s Omeros
- Symbolism of the Garden in Voltaire’s Candide
- Existential Themes in Jean Genet’s The Thief’s Journal
- Allegory and Symbolism in George Orwell’s Animal Farm
- Cultural Identity in Jamaica Kincaid’s Annie John
- Postcolonial Discourse in Derek Walcott’s Dream on Monkey Mountain
- Psychoanalysis of the Characters in Henry James’ The Turn of the Screw
- Mythology and Symbolism in T.S. Eliot’s The Waste Land
- The Uncanny in Franz Kafka’s Short Stories
- Symbolism of the River in Joseph Conrad’s The Secret Sharer
- Existentialism in Simone de Beauvoir’s The Second Sex
- Allegorical Elements in William Golding’s Pincher Martin
- Postcolonial Identity in Rohinton Mistry’s A Fine Balance
- Magical Realism in Ben Okri’s The Famished Road
- Colonialism and Resistance in Aimé Césaire’s A Tempest
- Cultural Identity in Arundhati Roy’s The God of Small Things
- Symbolism of the Lighthouse in Virginia Woolf’s To the Lighthouse
- Absurdity in Albert Camus’ The Myth of Sisyphus
- Existential Themes in Sartre’s No Exit
- Allegory and Symbolism in Herman Melville’s Moby-Dick
- Postcolonial Discourse in Chinua Achebe’s No Longer at Ease
- Psychoanalytic Analysis of Daphne du Maurier’s Rebecca
- Mythology and Symbolism in W.B. Yeats’ Poetry
- Colonialism and Power Dynamics in E.M. Forster’s Howard’s End
- Symbolism of the Conch Shell in Lord of the Flies
- Postmodern Narrative in Julio Cortázar’s Hopscotch
- Identity and Alienation in Franz Kafka’s The Castle
- Allegorical Elements in George Orwell’s Animal Farm
- Cultural Hybridity in Salman Rushdie’s Midnight’s Children
- Psychoanalysis of the Protagonist in J.M. Coetzee’s Disgrace
- Environmentalism in Barbara Kingsolver’s Flight Behavior
- Existential Themes in Jean-Paul Sartre’s The Age of Reason
- Symbolism of the Forest in Nathaniel Hawthorne’s Young Goodman Brown
- Magical Realism in Laura Esquivel’s The Law of Love
- The Grotesque in Flannery O’Connor’s Wise Blood
- Allegory and Symbolism in Fyodor Dostoevsky’s Crime and Punishment
- The Representation of Femininity in Jane Austen’s Pride and Prejudice
- The Symbolism of the Green Light in F. Scott Fitzgerald’s The Great Gatsby
- Exploring the Theme of Isolation in Mary Shelley’s Frankenstein
- The Role of Nature in William Wordsworth’s Poetry
- A Comparative Analysis of Satire in Jonathan Swift’s Gulliver’s Travels and George Orwell’s Animal Farm
- The Concept of Fate in William Shakespeare’s Romeo and Juliet
- The Use of Symbolism in Nathaniel Hawthorne’s The Scarlet Letter
- Postcolonial Identity in Chinua Achebe’s Things Fall Apart
- The Representation of Madness in Edgar Allan Poe’s Short Stories
- Cultural Clash in Jhumpa Lahiri’s The Namesake
- The Portrayal of War in Ernest Hemingway’s A Farewell to Arms
- The Role of Mythology in Rick Riordan’s Percy Jackson Series
- The Treatment of Race and Identity in Toni Morrison’s Beloved
- The Symbolism of the Conch Shell in William Golding’s Lord of the Flies
- The Concept of Love and Desire in Charlotte Brontë’s Jane Eyre
- Postcolonialism in Salman Rushdie’s Midnight’s Children
- The Representation of Childhood in J.M. Barrie’s Peter Pan
- The Use of Setting in Emily Brontë’s Wuthering Heights
- The Theme of Justice in Harper Lee’s To Kill a Mockingbird
- The Concept of Time in Virginia Woolf’s Mrs. Dalloway
- The Role of Religion in Nathaniel Hawthorne’s The Minister’s Black Veil
- The Symbolism of the River in Mark Twain’s The Adventures of Huckleberry Finn
- Gender Roles in Charlotte Perkins Gilman’s The Yellow Wallpaper
- The Representation of Social Class in Charles Dickens’ Great Expectations
- The Exploration of Identity in Ralph Ellison’s Invisible Man
- The Use of Foreshadowing in Agatha Christie’s Murder on the Orient Express
- Postcolonialism in Joseph Conrad’s Heart of Darkness
- The Symbolism of the Mockingbird in Harper Lee’s To Kill a Mockingbird
- The Concept of Alienation in Franz Kafka’s The Metamorphosis
- The Portrayal of Family in Louisa May Alcott’s Little Women
- The Role of Dreams in F. Scott Fitzgerald’s Tender Is the Night
- The Representation of Social Injustice in John Steinbeck’s The Grapes of Wrath
- The Theme of War in Erich Maria Remarque’s All Quiet on the Western Front
- The Use of Irony in Oscar Wilde’s The Importance of Being Earnest
- Postcolonial Identity in V.S. Naipaul’s A Bend in the River
- The Concept of Freedom in George Orwell’s 1984
- The Symbolism of the White Whale in Herman Melville’s Moby-Dick
- The Exploration of Memory in Kazuo Ishiguro’s Never Let Me Go
- The Role of Friendship in J.R.R. Tolkien’s The Lord of the Rings
- The Representation of Gender in Margaret Atwood’s The Handmaid’s Tale
- The Use of Allegory in George Orwell’s Animal Farm
- The Portrayal of Aging in Gabriel García Márquez’s Love in the Time of Cholera
- The Theme of Death in Emily Dickinson’s Poetry
- The Concept of Innocence in William Golding’s Lord of the Flies
- Postcolonialism in Jamaica Kincaid’s Annie John
- The Symbolism of the Conch Shell in William Golding’s Lord of the Flies
- The Concept of Love and Desire in Charlotte Brontë’s Jane Eyre
- Postcolonialism in Salman Rushdie’s Midnight’s Children
- The Representation of Childhood in J.M. Barrie’s Peter Pan
- The Use of Setting in Emily Brontë’s Wuthering Heights
- The Theme of Justice in Harper Lee’s To Kill a Mockingbird
- The Concept of Time in Virginia Woolf’s Mrs. Dalloway
- The Role of Religion in Nathaniel Hawthorne’s The Minister’s Black Veil
- The Symbolism of the River in Mark Twain’s The Adventures of Huckleberry Finn
- Gender Roles in Charlotte Perkins Gilman’s The Yellow Wallpaper
- The Representation of Social Class in Charles Dickens’ Great Expectations
- The Exploration of Identity in Ralph Ellison’s Invisible Man
- The Use of Foreshadowing in Agatha Christie’s Murder on the Orient Express
- Postcolonialism in Joseph Conrad’s Heart of Darkness
- The Symbolism of the Mockingbird in Harper Lee’s To Kill a Mockingbird
- The Concept of Alienation in Franz Kafka’s The Metamorphosis
- The Portrayal of Family in Louisa May Alcott’s Little Women
- The Role of Dreams in F. Scott Fitzgerald’s Tender Is the Night
- The Representation of Social Injustice in John Steinbeck’s The Grapes of Wrath
- The Theme of War in Erich Maria Remarque’s All Quiet on the Western Front
- The Use of Irony in Oscar Wilde’s The Importance of Being Earnest
- Postcolonial Identity in V.S. Naipaul’s A Bend in the River
- The Concept of Freedom in George Orwell’s 1984
- The Symbolism of the White Whale in Herman Melville’s Moby-Dick
- The Exploration of Memory in Kazuo Ishiguro’s Never Let Me Go
- The Role of Friendship in J.R.R. Tolkien’s The Lord of the Rings
- The Representation of Gender in Margaret Atwood’s The Handmaid’s Tale
- The Use of Allegory in George Orwell’s Animal Farm
- The Portrayal of Aging in Gabriel García Márquez’s Love in the Time of Cholera
- The Theme of Death in Emily Dickinson’s Poetry
- The Concept of Innocence in William Golding’s Lord of the Flies
- Postcolonialism in Jamaica Kincaid’s Annie John
- The Symbolism of the Conch Shell in William Golding’s Lord of the Flies
- The Concept of Love and Desire in Charlotte Brontë’s Jane Eyre
- Postcolonialism in Salman Rushdie’s Midnight’s Children
- The Representation of Childhood in J.M. Barrie’s Peter Pan
- The Use of Setting in Emily Brontë’s Wuthering Heights
- The Theme of Justice in Harper Lee’s To Kill a Mockingbird
- The Concept of Time in Virginia Woolf’s Mrs. Dalloway
- The Role of Religion in Nathaniel Hawthorne’s The Minister’s Black Veil
- The Symbolism of the River in Mark Twain’s The Adventures of Huckleberry Finn
- Gender Roles in Charlotte Perkins Gilman’s The Yellow Wallpaper
- The Representation of Social Class in Charles Dickens’ Great Expectations
- The Exploration of Identity in Ralph Ellison’s Invisible Man
- The Use of Foreshadowing in Agatha Christie’s Murder on the Orient Express
- Postcolonialism in Joseph Conrad’s Heart of Darkness
- The Symbolism of the Mockingbird in Harper Lee’s To Kill a Mockingbird
- The Concept of Alienation in Franz Kafka’s The Metamorphosis
- The Portrayal of Family in Louisa May Alcott’s Little Women
- The Role of Dreams in F. Scott Fitzgerald’s Tender Is the Night
- The Representation of Social Injustice in John Steinbeck’s The Grapes of Wrath
- The Theme of War in Erich Maria Remarque’s All Quiet on the Western Front
- The Use of Irony in Oscar Wilde’s The Importance of Being Earnest
- Postcolonial Identity in V.S. Naipaul’s A Bend in the River
- The Concept of Freedom in George Orwell’s 1984
- The Symbolism of the White Whale in Herman Melville’s Moby-Dick
- The Exploration of Memory in Kazuo Ishiguro’s Never Let Me Go
- The Role of Friendship in J.R.R. Tolkien’s The Lord of the Rings
- The Representation of Femininity in Jane Austen’s Pride and Prejudice
- The Symbolism of the Green Light in F. Scott Fitzgerald’s The Great Gatsby
- Exploring the Theme of Isolation in Mary Shelley’s Frankenstein
- The Role of Nature in William Wordsworth’s Poetry
- A Comparative Analysis of Satire in Jonathan Swift’s Gulliver’s Travels and George Orwell’s Animal Farm
- The Concept of Fate in William Shakespeare’s Romeo and Juliet
- The Use of Symbolism in Nathaniel Hawthorne’s The Scarlet Letter
- Postcolonial Identity in Chinua Achebe’s Things Fall Apart
- The Representation of Madness in Edgar Allan Poe’s Short Stories
- Cultural Clash in Jhumpa Lahiri’s The Namesake
- The Portrayal of War in Ernest Hemingway’s A Farewell to Arms
- The Role of Mythology in Rick Riordan’s Percy Jackson Series
- The Treatment of Race and Identity in Toni Morrison’s Beloved
- The Symbolism of the Conch Shell in William Golding’s Lord of the Flies
- The Concept of Love and Desire in Charlotte Brontë’s Jane Eyre
- Postcolonialism in Salman Rushdie’s Midnight’s Children
- The Representation of Childhood in J.M. Barrie’s Peter Pan
- The Use of Setting in Emily Brontë’s Wuthering Heights
- The Theme of Justice in Harper Lee’s To Kill a Mockingbird
- The Concept of Time in Virginia Woolf’s Mrs. Dalloway
- The Role of Religion in Nathaniel Hawthorne’s The Minister’s Black Veil
- The Symbolism of the River in Mark Twain’s The Adventures of Huckleberry Finn
- Gender Roles in Charlotte Perkins Gilman’s The Yellow Wallpaper
- The Representation of Social Class in Charles Dickens’ Great Expectations
- The Exploration of Identity in Ralph Ellison’s Invisible Man
- The Use of Foreshadowing in Agatha Christie’s Murder on the Orient Express
- Postcolonialism in Joseph Conrad’s Heart of Darkness
- The Symbolism of the Mockingbird in Harper Lee’s To Kill a Mockingbird
- The Concept of Alienation in Franz Kafka’s The Metamorphosis
- The Portrayal of Family in Louisa May Alcott’s Little Women
- The Role of Dreams in F. Scott Fitzgerald’s Tender Is the Night
- The Representation of Social Injustice in John Steinbeck’s The Grapes of Wrath
- The Theme of War in Erich Maria Remarque’s All Quiet on the Western Front
- The Use of Irony in Oscar Wilde’s The Importance of Being Earnest
- Postcolonial Identity in V.S. Naipaul’s A Bend in the River
- The Concept of Freedom in George Orwell’s 1984
- The Symbolism of the White Whale in Herman Melville’s Moby-Dick
- The Exploration of Memory in Kazuo Ishiguro’s Never Let Me Go
- The Role of Friendship in J.R.R. Tolkien’s The Lord of the Rings
- The Representation of Gender in Margaret Atwood’s The Handmaid’s Tale
- The Use of Allegory in George Orwell’s Animal Farm
- The Portrayal of Aging in Gabriel García Márquez’s Love in the Time of Cholera
- The Theme of Death in Emily Dickinson’s Poetry
- The Concept of Innocence in William Golding’s Lord of the Flies
- Postcolonialism in Jamaica Kincaid’s Annie John
- The Symbolism of the Conch Shell in William Golding’s Lord of the Flies
- The Concept of Love and Desire in Charlotte Brontë’s Jane Eyre
- Postcolonialism in Salman Rushdie’s Midnight’s Children
- The Representation of Childhood in J.M. Barrie’s Peter Pan
- The Use of Setting in Emily Brontë’s Wuthering Heights
- The Theme of Justice in Harper Lee’s To Kill a Mockingbird
- The Concept of Time in Virginia Woolf’s Mrs. Dalloway
- The Role of Religion in Nathaniel Hawthorne’s The Minister’s Black Veil
- The Symbolism of the River in Mark Twain’s The Adventures of Huckleberry Finn
- Gender Roles in Charlotte Perkins Gilman’s The Yellow Wallpaper
- The Representation of Social Class in Charles Dickens’ Great Expectations
- The Exploration of Identity in Ralph Ellison’s Invisible Man
- The Use of Foreshadowing in Agatha Christie’s Murder on the Orient Express
- Postcolonialism in Joseph Conrad’s Heart of Darkness
- The Symbolism of the Mockingbird in Harper Lee’s To Kill a Mockingbird
- The Concept of Alienation in Franz Kafka’s The Metamorphosis
- The Portrayal of Family in Louisa May Alcott’s Little Women
- The Role of Dreams in F. Scott Fitzgerald’s Tender Is the Night
- The Representation of Social Injustice in John Steinbeck’s The Grapes of Wrath
- The Theme of War in Erich Maria Remarque’s All Quiet on the Western Front
- The Use of Irony in Oscar Wilde’s The Importance of Being Earnest
- Postcolonial Identity in V.S. Naipaul’s A Bend in the River
- The Concept of Freedom in George Orwell’s 1984
- The Symbolism of the White Whale in Herman Melville’s Moby-Dick
- The Exploration of Memory in Kazuo Ishiguro’s Never Let Me Go
- The Role of Friendship in J.R.R. Tolkien’s The Lord of the Rings
- The Representation of Gender in Margaret Atwood’s The Handmaid’s Tale
- The Use of Allegory in George Orwell’s Animal Farm
- The Portrayal of Aging in Gabriel García Márquez’s Love in the Time of Cholera
- The Theme of Death in Emily Dickinson’s Poetry
- The Concept of Innocence in William Golding’s Lord of the Flies
- Postcolonialism in Jamaica Kincaid’s Annie John
- The Symbolism of the Conch Shell in William Golding’s Lord of the Flies
- The Concept of Love and Desire in Charlotte Brontë’s Jane Eyre
- Postcolonialism in Salman Rushdie’s Midnight’s Children
- The Representation of Childhood in J.M. Barrie’s Peter Pan
- The Use of Setting in Emily Brontë’s Wuthering Heights
- The Theme of Justice in Harper Lee’s To Kill a Mockingbird
- The Concept of Time in Virginia Woolf’s Mrs. Dalloway
- The Role of Religion in Nathaniel Hawthorne’s The Minister’s Black Veil
- The Symbolism of the River in Mark Twain’s The Adventures of Huckleberry Finn
- Gender Roles in Charlotte Perkins Gilman’s The Yellow Wallpaper
- The Representation of Social Class in Charles Dickens’ Great Expectations
- The Exploration of Identity in Ralph Ellison’s Invisible Man
- The Use of Foreshadowing in Agatha Christie’s Murder on the Orient Express
- Postcolonialism in Joseph Conrad’s Heart of Darkness
- The Symbolism of the Mockingbird in Harper Lee’s To Kill a Mockingbird
- The Concept of Alienation in Franz Kafka’s The Metamorphosis
- The Portrayal of Family in Louisa May Alcott’s Little Women
- The Role of Dreams in F. Scott Fitzgerald’s Tender Is the Night
- The Representation of Social Injustice in John Steinbeck’s The Grapes of Wrath
- The Theme of War in Erich Maria Remarque’s All Quiet on the Western Front
- The Use of Irony in Oscar Wilde’s The Importance of Being Earnest
- Postcolonial Identity in V.S. Naipaul’s A Bend in the River
- The Concept of Freedom in George Orwell’s 1984
- The Symbolism of the White Whale in Herman Melville’s Moby-Dick
- The Exploration of Memory in Kazuo Ishiguro’s Never Let Me Go
- The Role of Friendship in J.R.R. Tolkien’s The Lord of the Rings
- Gender Representation in Margaret Atwood’s The Handmaid’s Tale
- Symbolism of the Green Light in F. Scott Fitzgerald’s The Great Gatsby
- Cultural Identity in Jhumpa Lahiri’s The Namesake
- Postcolonial Themes in Chinua Achebe’s Things Fall Apart
- Magical Realism in Gabriel Garcia Marquez’s One Hundred Years of Solitude
- Linguistic Analysis of Ernest Hemingway’s Writing Style
- Colonialism and Resistance in Ngũgĩ wa Thiong’o’s Petals of Blood
- Trauma and Memory in Toni Morrison’s Beloved
- Environmentalism in Barbara Kingsolver’s Prodigal Summer
- Existentialism in Albert Camus’ The Stranger
- Allegorical Elements in George Orwell’s Animal Farm
- Psychoanalysis of the Protagonist in J.D. Salinger’s The Catcher in the Rye
- Magical Realism in Salman Rushdie’s Midnight’s Children
- Love and Alienation in Franz Kafka’s Metamorphosis
- Postmodern Narrative Techniques in David Foster Wallace’s Infinite Jest
- Colonial Discourse in Joseph Conrad’s Heart of Darkness
Kesimpulan
Dua tips di atas adalah contoh judul skripsi sastra Inggris yang menarik untuk dipertimbangkan. Penting untuk memilih topik yang kamu minati dan memiliki potensi untuk menghasilkan kontribusi yang berarti dalam bidang sastra Inggris. Dengan memilih topik yang relevan dan menggunakan metode analisis yang tepat, kamu akan dapat menyajikan skripsimu dengan baik. Tetaplah bersemangat dalam menggali pengetahuan baru dan menghasilkan karya yang orisinal. Semoga berhasil!